Sunday, January 19, 2020

19 January 2020

Stephanie Meyer's best selling book "Twilight" became an instant success with millions of teenagers.  This is mostly due to the fact that Meyers portrayal of the vampire family showed a sensitive, yet misunderstood clan.  Throughout history the vampire has been cast as the monster; the one to fear when night falls.  Even with this fear factor, something about the vampire always attracted the girl.  Somewhere between fear and desire, the vampire managed to draw in the damsel in distress.  What started out as the vampire Nosferatu has morphed into the dashing Edward Cullens.  Hollywood has taken its toll on our monstrous creature and has allowed him to become more human.  In "Twilight" the reader is brought into the vampires daily activities.  Other than not eating meals or sleeping, they are very much like any other American family.  By allowing this intimate look into the vampire, the reader begins to forma relationship with him.  Edward Cullens is like any other high school student, having to get through biology and what to wear the next day.  What makes Edward stand out from others is his immediate charisma and ability to draw people into him.  He is alluring and handsome, something that makes any other human want to be near him.  Edward explains to his love interest that this is not a coincidence, and this is to lure his next prey.  Lucky for this love interest, Bella, Edward is a self described "vegetarian" amongst vampires. 

"Twilight" is a star crossed love story that stretches through several decades.  Bella is a shy and awkward girl who is used to being lost in the shadows until she meets Edward.  For some reason neither can stay away from the other.  As if there is an invisible twine pulling each to the other.  The characters are built up throughout the story line in a manner that gives the reader a sense of belonging.  By the end of this first vampire book from Meyers, the reader feels as they are part of the friend group and they have a connection with these characters.  Meyers ability to make these characters so real to the reader, allows the reader to be drawn into this love story. 

Rather than write the typical vampire story that ends with death in a broken love story; Meyers explores the possibility that the vampire can have a soul with a conscience.  Perhaps it is possible for the vampire to achieve happiness and live happily ever after.  With this book, rather than the reader afraid of the antagonist, we find ourselves cheering him on and hoping for the love a lifetime.

Friday, January 10, 2020

10 January 2020

Mary Shelley's Frankenstein is a perfect example of gothic genre.  From the mysterious locations, the dungeons, the lack of detail with the creation of the monster, and the story focusing on death, this piece of literature is a classic example of gothic genre.  I think that death and decay is prominent in the story and stands out as a prime example of gothic nature.  Frankenstein is told through letters and story telling.  A ship's captain, Robert Walton, recounts the story of Victor Frankenstein to his sister.  Death is surrounded by mystery and this book uses death to keep the reader in suspense.  While at university, Victor becomes consumed with the secret of life, and therefore beating death.  From using decaying body parts to create the monster, to the death of Victor's brother William, the story is dark and gothic.  The monster somehow convinces Victor to create a partner for him, but upon creation Victor realizes the horror he is creating and immediately destroys the new creation.  Once again death is the center of the story as the monster swears revenge on Victor's wedding night since he can not have the female creation. When Victor is married he tries to protect his bride but the monster kills her. Revenge and death become the pinnacle for the ending where Victor hunts the monster but is unsuccessful only to die on Robert Walton's ship.  The ending too revolves around death as the monster is found weeping over Victor's body and he disappears with the reader assuming that he has walked into a cold abyss towards his own death.